Smile print set

I am releasing an edition of 25 silk screened prints of the latest Rude kids in lockdown on the 7th of August. In the past Indigo has been the only rude kid popping a smile on a famous work of art. This set of 3 prints see Astrid and Edgar join her in tagging a smile on three new Dotmaster portraits, The Queen, Marilyn and The Chinese Lady, all get the Dotmasters halftone treatment and have a trademark smile sprayed on them in these candid captures of naughtiness.

Smile Rude Kids print set.

It is a 5 colour silk screen Each print is 35cm x 90 cm on 375 cotton rag Lambeth paper, printed as ever, by Mesh silkscreens in Bristol. Each set comes numbered signed and embossed. There are 3 in the set.

It’s an Edition of 25 prints, with a set of 3 all with the same edition number. This set is only available on this site for the price of £480 including P&P. The shop will go live on Friday at 2pm here

Astrid
Indigo
Edgar

Times in the creative industry are very precarious at the moment, so to show some solidarity with galleries i have been working with, Graffik gallery in Portobello, Stella Dore gallery in Hastings and GCA in Paris. I will be releasing a smaller edition in a different wallpaper colour version of each kid with each of them. An edition of 12 One Rude kid per location. Will post details as soon as i have them.

Lockdown worx

Thankfully a couple of years ago we built a studio in the back garden, so when the news came of the Lockdown my work suffered less than many in the UK. i could still make stuff, but the thought of making a show that would probably not be seen, left me having to reevaluate what to make in these uncertain times. I settled on a series of experimental works using the motif of a kid painting smiles on well loved works of art. It kind of made sense to have these three rude kid characters , Astrid, Indigo and Edgar painting, stuck indoors like the rest of us.

I am sure i was not alone in taking to the bottle during lockdown. The news and social media streams confirmed it. During the drunken haze that was the first few weeks that included my wedding anniversary we were sent a two bottle box of wine to help us celebrate. The box was just too cute to throw away.

I didn’t want to do something 2d or canvas based, and with my only 3d gig Glastonbury cancelled (i am the art director Unfairground) i thought i’d try and make these little boxes into stage sets where i could pop these three naughty children and up cycle this little wooden box.

Each box has its own RGB remote control so that the lights can change to whatever colour you require, there are preset programs with fading , jumping and flashing between different colours. The back panel is laser cut wallpaper out of birch ply, The frames are 24k gold leaf. I will be making a small edition of each light. Video of them working to follow.

Excited by these cute little lamp works I’ve also made some larger scale wall based works, at the time of writing this only one is finished and i will be posting some more updates as they are finished. The below version has interchangeable works that you can swap out depending on your mood.

These will be one off works, still no idea how to show them, where they will be available. hopefully work that out when they are all finished. To get your name on a waiting list for the Lockdown wine boxes email seesix at gmail with the subject Lockdown wine box

Nuart 2019

It was nice to be asked back to Nuart after a few years away from Stavanger. As i used to work on production for the festival, the visit was radically different to my previous years experiences. Coupled with the fact i was painting my new Gaffa-tape “Stick em” up series, it gave me a fresh pair of eyes to see the town and festival. No cherry pickers, no assistants and no confirmed walls meant i was free to wander the town and paint these little pieces on doors and electrical cabinets at my own pace.

In my opinion, the placement of art on the street is often key to the work’s success, both visually and, often, in terms of its longevity. It’s a dynamic that is hard to re-create during a festival, as artists from all over the world descend on a town or city with pre-ordered paint, ideas and walls. With artists wanting to go large, festivals wanting a mark worthy of the booking and a city wanting eye-candy to brighten its darkest corners, that placement is often overlooked. As a producer, i am only too well aware of the conflict between all the interests, the art form and its roots. So it was great when Martyn Reed offered a retro way of working for my trip to Nuart 2019.

Photo by Runa Andersen

A map showing the spots painted over the 4 days in town.

Nuart is a festival close to my heart, it’s always great fun and the shows in the beer halls at Tou have been some of my proudest production moments. It’s always a great crew thats easy to work with and a real party feeling for the week or two that you’re there. Loved a lot of the work around me and it was a pleasure to be asked back to take part

Above Oscar and Gabriel, local rude kids who have grown up with Nuart and who i’ve know through the festival since birth. This year they made it into the show.

Line em out

Happy to announce that i am doing a show with old friend Stella Dore Gallery in Leonard’s on Sea, Hastings on in the 26th of July. I’ve made loads of new stuff and have a print release to coincide with the show.

It’s a small edition of 24, four colours 70cm x 50 cm on 375gsm Lambeth cotton rag, printed by Mesh silkscreen Bristol. Prints will be released at the private view on the Friday and then the remaining prints will be available on line on Saturday the 27th of July for £85 plus P&P here.

There are also 4 editions of 12 the roller stripe in hand finished acrylic paint. Roller stripes will be in a lilac, green, orange and a magenta for the price of £125 plus P&P. These will also be available to those that attend the show on the 26th, the remainder will be online the next day here.

Stella Dore kindly organised an amazing spot for me to paint, Ruby’s Rooms
on the St. Leonards sea front opposite the pier.

Grove Village, Ras al Khaimah.

We’ve been talking about painting this new container park development for a while now, Sheik Abdulla and i. Working out what to paint, where the finished works would go, it’s a new thing for this mountainous corner of the UAE… new ground, corrugated surfaces and a different type of vibe. It’s the first part on a series of works for Grove village that will grow year on year…Watch this space…Grove Village

Mind in the gutter

So this is first solo show in Paris, it was in the mid 80’s i first saw stencil work on the streets, Nemo, Blek le rat and others. These heroes inspired me to take up the scalpel and paint on the street. Paris has always had a rich stencil history, from 1968 till today and it is a great honour to show in this city.

A bit about the show written by the gallery

“Mind in the Gutter” is the name Dotmasters gave this exhibition. It evokes for him dubious intentions, ambiguous actions, all these unsavory and yet jubilant things. Faithful to the vandal and provocative essence of urban art, this title captures the artists’ state of mind, who, jovial and lucid, enjoys taboos, contradictions, new gods and the absurdity of our contemporary lifestyles.

The exhibition offers several levels of reading: one can appreciate it as a pop, offbeat and impertinent visual experience or read in it an ironic critique of today’s society. Dotmasters develops the concept of “high-end waste” with brass sculptures of chanel paper bags. Through this realization, he takes note, reinforces and plays on the ambiguity between marketing and works of art, between single piece and disposable goods, between aesthetic value and commercial production.

Second theme dear to the artist, rebellious and cheeky cherubim populate the works of Dotmasters. Made from photographs of her nieces, nephews and friends, these stencils bring a mischievous and indocent hue to the exhibition. The turbulent and transgressive little angels who speak out or show their fingers to the spectator remind us of the joy that arises from disorder, the creativity generated by chaos and especially the importance of not being earnest.

Where there’s muck there’s brass, Painted cast brass sculpture

GCA Gallery PARIS – 2 place Farhat Hached – 75013 – Paris
du mardi au samedi de 11h30 à 18h30
Tél : +33 6 09 07 75 99

Open till the 16th of March

show catalogue here

Mind in the gutter- Paris

Mind In the gutter is a show based on my obsession with the naughty, the unpalatable and taboo. The show finds beauty in the dross of life and the joy in disobedience. iI’s been 12 years now of living in the gutter and looking at the stars, and In this group of works I play with the idea of innocence and corruption. My work often has a conflict between right and wrong, photo real stencils of rubbish, high class brands trashed by sweet children swearing. There’s a joy in playing with taboos and off- key ideas with my tongue firmly in my cheek.

The show is at GCA Gallery PARIS – 2 place Farhat Hached – 75013 – Paris


So to celebrate my first solo show in Paris i am releasing this Chanel print (part of the trash bag series). Edition of 53 its a 14 colour silkscreen print 40cm x 40cm on 375GSM cotton rag paper, signed, numbered and embossed and as usual printed by the wonderful Mesh silkscreens. As usual available now from my website for £195 + postage and packing.
Buy here

So come by if your in town, theres a whole new body of work inspired by Paris. There are new rude kids, new wallpaper inspired by the art deco paris metro, cast brass sculptures, I’ve even made a light! Drop by it would be nice to see you.

Been busy Painting

Noticed the other day that there hasn’t been a post up here since new years! Well i’ve been busy painting around the place. Below are some high lights from the first 3 months of 2018, Liverpool, London and Laos…All the L’s

Portobello

Nice to be painting in Portobello again, on the left you can see graffik Gallery’s indigo get up.

Penge

It’s not often i get given a wall to trash. I love painting these groups of bags, but the content is often a hard sell. Very few wall owners want a permanent reminder of the weeks refuse painted on their wall, so a massive thank you to the Kacper Deli and the very patient Penge Barbers for letting me drop a special Penge pile Halfway up their High St. Walls and support as ever from @ldncallingblog


Kings cross

Asked to try the Market Road gallery bookable wall system out. Yep! It works.


Great portland street

When snow blasted London in early March, a group of about 160 homeless people moved into the disused 17.5 million pound ($24 million) eight-storey building in Great Portland Street, making it the biggest single shelter in the capital.

The occupation – due to end on Monday with a court ordering their eviction – has sparked a citywide debate involving London Mayor Sadiq Khan about the treatment of growing numbers of homeless people.

Sleeping on the streets – or rough sleeping – has risen in England for seven consecutive years, according to government figures, with more than 1,000 homeless in London and more than 4,100 nationally, a 134 percent jump since 2010..

The building developers started to board the windows on the bottom floor after complaints from tenants, effectively blacking out the communal kitchen, with evection looming i was asked to draw some attention to their plight.

Laos

Crazy weekend…yep i did say weekend to Laos! Birthday madness in Luang Prabang with Nam Khan Projects.

Liverpool

January visits up north with one man arts. Lots of fun dropping the kids around liverpool

liverpool echo