To coincide with the ‘Cross The Line’ show at 2B Gallery in Mallorca i am releasing a small ‘Indigo Get’s Up’ edition. It’s one of my favourites from years of experimenting with patterns colours and content with this image of my niece. Printed by the wonderful Mesh Silkscreens in Bristol on 375gsm Lambeth cotton rag. It’s a 5 colour silkscreen and an edition of 27 for €350 Print is now Sold out!
For those of you into NFT’s i will be releasing an ‘Indigo Gets Up’ Marylin edition through the same gallery at 2pm friday the 18th of june. It has personalised un lockable content a little time lapse easter egg for the owner. NFT’s can be found here
Remember when you could fill your bag with assortment of sweets from a row of bins at your local supermarket?
Ours was a Woolworths, it was often a spot where kids honed their shoplifting skills.I suppose since covid they will never return and perhaps a generation will lose a much valued talent.
Over the last 20 years in various shows both in the uk and abroad I’ve often done a pic n mix wall, an assortment of bright A4 ish size works that incorporate loads of small stencils from my odds and sods drawer in the studio. It’s a weird assortment of text, flowers, animals and dead rockstars cut for many one of a kind things, gifts and themed shows.
As prices rise I have always tried to offer something of a bargain in these little one off works. Bright quirky panels, hand painted originals for a pic n mix price of £99There are 54 of these eye candy pieces to choose from each one a unique work. Sold on a first come first served basis will be available from graffik gallery on the 14th of may (please book a slot for your visit)
An archive of Dotmasters paper works, spanning over a decade of experiments and test sprays. Whether painted to try out ideas for prints or an exploratory working out of colours for new artworks, these paper works form the initial genesis of my well-known prints, canvas and street works.
Painted on fancy french cotton rag art paper, every test sheet is a work of art in it’s own right, from an unseen archive.
Paper is unforgiving: make a mistake and it’s there forever, especially when you’re using spray paint (there is no eraser for that!). Registration for multiple layered works becomes difficult, masking and set up is key to each sheet.
The quality and price of the paper always makes me treat each work with a caution and care that I don’t often feel with other mediums. Always painted for my own eyes and my archive, these works are a personal playground.
For the show ‘Artist’s Proof’, I’ve picked my favourite pieces from my back catalogue. Never before seen or available for sale, these one-off works have evolved from over a decade of work.
Artist’s Proof is my first show for over a year, the show title is a defiant statement that I am still here, still making. Other works in the show are works made in lockdown, experiments with materials and light.
Lockdown has closed us down, locked us up and, in a large number of cases had us reaching for the bottle. It’s good to be opening up again.. join us for a socially distanced drink.
Proud to present my lockdown labours in this multi channel broadcast show, event, web thingy. So first was there was Lockdown Magazine, Dot2Dot portraits and a release of the wino boxes now finally some work you can see in the flesh in this site specific Christmas light shop front installation.
In collaboration with Kensington and Chelsea art week as part of their lockdown HIGH STREET WINDOWS. A series of site-specific window installations across Kensington, activating local high streets through imaginative interventions by contemporary artists.
The small boxes displayed in the windows are experiments in materials and light that were made during lockdown. Boxed-in, we have all tried to see the bright side, and these naughty rude kids lights have been my way of bringing some light with these humorous candid acts of indoor disobedience. The entire building is transformed into a giant, glowing light box, blurring the boundaries between inside and outside.
A full explanation of the show as well as a shop to buy it, can be found here Lockdown show.
What a cracking night! A great turn out on Friday the 13th at Graffik gallery for a show, Christmas shop window display, the launch of Rude Kids Clobber and a silk screened skateboard release. It really was a who’s who of people I’ve worked with over the last 15 odd years. Thanks to https://www.bigdogsvodka.com made a cracking dirty martini. Thanks to all of you who came !
It was also the launch of Rude kids Clobber, a range of high quality tee’s and sweatshirts for kids and adults. You can check them out here. As well as the release of an Indigo gets up skateboard, 4 colours edition of 50 on Maple wood deck, available here
The title of the show dictated the look and feel of the works, with gold, silver and glitter making it a christmas bauble of a show. Spray paint was mixed with Verre Eglomise and traditional gilding techniques in a modern day/1750’s mash up of gold leaf and spray paint.
An edition of 50 silk screened skateboard decks that come in a hand stenciled presentation box with a sticker pack and C.O.A. Available here
Gold, silver, glitter and mother of pearl works for the festive season. A mix of old techniques and street savvy images in an irreverent show of luxury and detritus. Verre églomise, gilding, gold glass and spray paint combine to provide a Christmas bauble of a show.
The show coincides with the launch of the Rude Kids Clobber a range of clothes for the discerning rude kid. We will also be launching a silk screened edition of Skateboards (details to follow…)
It’s become a bit of a tradition at Graffik Gallery that i dress the Christmas window. I love it! I’m not sure how they feel about it… but its that time of year again! And it is traditional… I loved last years window, so the pressure is on! Pop in and see, i’ve been working on it for a while… open to the public 14th -31st of December
Happy to announce that i am doing a show with old friend Stella Dore Gallery in Leonard’s on Sea, Hastings on in the 26th of July. I’ve made loads of new stuff and have a print release to coincide with the show.
It’s a small edition of 24, four colours 70cm x 50 cm on 375gsm Lambeth cotton rag, printed by Mesh silkscreen Bristol. Prints will be released at the private view on the Friday and then the remaining prints will be available on line on Saturday the 27th of July for £85 plus P&P here.
There are also 4 editions of 12 the roller stripe in hand finished acrylic paint. Roller stripes will be in a lilac, green, orange and a magenta for the price of £125 plus P&P. These will also be available to those that attend the show on the 26th, the remainder will be online the next day here.
Stella Dore kindly organised an amazing spot for me to paint, Ruby’s Rooms on the St. Leonards sea front opposite the pier.
So this is first solo show in Paris, it was in the mid 80’s i first saw stencil work on the streets, Nemo, Blek le rat and others. These heroes inspired me to take up the scalpel and paint on the street. Paris has always had a rich stencil history, from 1968 till today and it is a great honour to show in this city.
A bit about the show written by the gallery
“Mind in the Gutter” is the name Dotmasters gave this exhibition. It evokes for him dubious intentions, ambiguous actions, all these unsavory and yet jubilant things. Faithful to the vandal and provocative essence of urban art, this title captures the artists’ state of mind, who, jovial and lucid, enjoys taboos, contradictions, new gods and the absurdity of our contemporary lifestyles.
The exhibition offers several levels of reading: one can appreciate it as a pop, offbeat and impertinent visual experience or read in it an ironic critique of today’s society. Dotmasters develops the concept of “high-end waste” with brass sculptures of chanel paper bags. Through this realization, he takes note, reinforces and plays on the ambiguity between marketing and works of art, between single piece and disposable goods, between aesthetic value and commercial production.
Second theme dear to the artist, rebellious and cheeky cherubim populate the works of Dotmasters. Made from photographs of her nieces, nephews and friends, these stencils bring a mischievous and indocent hue to the exhibition. The turbulent and transgressive little angels who speak out or show their fingers to the spectator remind us of the joy that arises from disorder, the creativity generated by chaos and especially the importance of not being earnest.
GCA Gallery PARIS – 2 place Farhat Hached – 75013 – Paris du mardi au samedi de 11h30 à 18h30 Tél : +33 6 09 07 75 99