Gold, silver, glitter and mother of pearl works for the festive season. A mix of old techniques and street savvy images in an irreverent show of luxury and detritus. Verre églomise, gilding, gold glass and spray paint combine to provide a Christmas bauble of a show.
The show coincides with the launch of the Rude Kids Clobber a range of clothes for the discerning rude kid. We will also be launching a silk screened edition of Skateboards (details to follow…)
It’s become a bit of a tradition at Graffik Gallery that i dress the Christmas window. I love it! I’m not sure how they feel about it… but its that time of year again! And it is traditional… I loved last years window, so the pressure is on! Pop in and see, i’ve been working on it for a while… open to the public 14th -31st of December
So this is first solo show in Paris, it was in the mid 80’s i first saw stencil work on the streets, Nemo, Blek le rat and others. These heroes inspired me to take up the scalpel and paint on the street. Paris has always had a rich stencil history, from 1968 till today and it is a great honour to show in this city.
A bit about the show written by the gallery
“Mind in the Gutter” is the name Dotmasters gave this exhibition. It evokes for him dubious intentions, ambiguous actions, all these unsavory and yet jubilant things. Faithful to the vandal and provocative essence of urban art, this title captures the artists’ state of mind, who, jovial and lucid, enjoys taboos, contradictions, new gods and the absurdity of our contemporary lifestyles.
The exhibition offers several levels of reading: one can appreciate it as a pop, offbeat and impertinent visual experience or read in it an ironic critique of today’s society. Dotmasters develops the concept of “high-end waste” with brass sculptures of chanel paper bags. Through this realization, he takes note, reinforces and plays on the ambiguity between marketing and works of art, between single piece and disposable goods, between aesthetic value and commercial production.
Second theme dear to the artist, rebellious and cheeky cherubim populate the works of Dotmasters. Made from photographs of her nieces, nephews and friends, these stencils bring a mischievous and indocent hue to the exhibition. The turbulent and transgressive little angels who speak out or show their fingers to the spectator remind us of the joy that arises from disorder, the creativity generated by chaos and especially the importance of not being earnest.
GCA Gallery PARIS – 2 place Farhat Hached – 75013 – Paris du mardi au samedi de 11h30 à 18h30 Tél : +33 6 09 07 75 99
Noticed the other day that there hasn’t been a post up here since new years! Well i’ve been busy painting around the place. Below are some high lights from the first 3 months of 2018, Liverpool, London and Laos…All the L’s
Nice to be painting in Portobello again, on the left you can see graffik Gallery’s indigo get up.
It’s not often i get given a wall to trash. I love painting these groups of bags, but the content is often a hard sell. Very few wall owners want a permanent reminder of the weeks refuse painted on their wall, so a massive thank you to the Kacper Deli and the very patient Penge Barbers for letting me drop a special Penge pile Halfway up their High St. Walls and support as ever from @ldncallingblog
When snow blasted London in early March, a group of about 160 homeless people moved into the disused 17.5 million pound ($24 million) eight-storey building in Great Portland Street, making it the biggest single shelter in the capital.
The occupation – due to end on Monday with a court ordering their eviction – has sparked a citywide debate involving London Mayor Sadiq Khan about the treatment of growing numbers of homeless people.
Sleeping on the streets – or rough sleeping – has risen in England for seven consecutive years, according to government figures, with more than 1,000 homeless in London and more than 4,100 nationally, a 134 percent jump since 2010..
The building developers started to board the windows on the bottom floor after complaints from tenants, effectively blacking out the communal kitchen, with evection looming i was asked to draw some attention to their plight.
Crazy weekend…yep i did say weekend to Laos! Birthday madness in Luang Prabang with Nam Khan Projects.
January visits up north with one man arts. Lots of fun dropping the kids around liverpool
It’s been a busy summer and i’ve noticed i haven’t posted since Glastonbury…whoops.
I have a new print out this week to coincide with an installation i’ve made for Graffik gallery for the Moniker art fair which opens tonight the 5th of October and runs over the weekend. Drop in, it’s a great group of galleries from all over the world.
The new print is a reworking of Indigo dropping a smile onto one of the first Dotmasters series, it’s a new work tagging an old work. i did a small edition years ago to coincide with a show in London, since then indigo has traveled the world from America to Japan. i’ve been asked for the print too many times so back by popular command here she is.
She comes in 4 great colours each an edition of 25, and was beautifully printed by Ben at Mesh silkscreens in Bristol.
Size | 35cm x 93cm
Method | 5 colour print screen
Paper | 375 gsm Lambeth cotton rag by Mesh Silk Screen.
Edition 25 of each colour-way, signed, blind stamped and numbered by artist
Colour-ways | Grey, Fluro orange, Silver and Gold
Price | £180 incl. p&p or £450 for the set
There’s loads of new stuff in the show so pop in and check it out, also dropping these new stickers during the weekend which will be available online from graffik and here in the shop.
Hopefully see you there.
After a crazy week in Tokyo it was a quick dash on the Shinkansen (bullet train) down to meet old friends kenichi yamamura (ken) and Ben Eine and Massagon. It was a blur of paint drink and laughter in equal measure. Christ we got drunk! First off painted Malu the craziest hairdresser in Osaka, he has a full recording studio and VJ set up inside, working as he cuts hair…Thanks for the haircut! Then a quick stop at Banquet and great bar round the corner and a couple of small works dotted around while i sampled the joys of Japanese whisky.
Ben, Ken and Massagon are dangerous guys to go out for an evening with, if it wasn’t for then i may have never found my way home. Waking up in the morning finding photos of things i didn’t remember…like painting people’s clothes in the street? The next day saw an early hungover start and some more rude kids on shutters at Kenmuri Then a quick visit to the mayor..?..!..?
Of course the evening turned out stranger than i can remember and on the last day in Osaka another wall and another bar…
I love Osaka, mostly because of the people . Thank you so much Ken and massagon your amazing hosts, thanks for keeping us all safe and sound finding some great walls and great bars and restaurants. Great to spend some time with Ben and MC, see you both in London! It was a great 3 daze!
Just back from Japan, i had a great time! First off a week in Tokyo with Gypsy eyes showing me around town, helping me find walls and the gallery Kawamatsu for a show on the 8th of October. I first visited Kawamatsu 4 years ago when i first had a show in Tokyo. The owner is a keen street art fan and had one of the only walls that you could paint legally in town. 4 years later i was exhibiting inside. Thanks to everyone who came, bought something and drank a little too much Asahi beer, it was a great night!
photograph Yuki Loroi
Finding walls to paint in Tokyo is tricky, Its a dense city with complicated wall ownership and a young appreciation of art on the street. However Gypsy eyes pulled it out of the bag with this stunning newly renovated cafe/bar soon to open calledKitsune (fox). A weird shape and full of windows with only the stencils i came with to work i think it worked. God knows it took us a couple of very long days to finish! Thanks to Taro who was an incredible help thorough out the week and to Murao who drove like a crazy man to get me around! Thanks all you made a fantastic visit!
address of the cafe
quick skateboard during the night.