Painted a large version of my latest Trash Bag print on Portobello Road opposite Graffik Gallery on the side of Taylor Taylor on Oxford Gardens last week to promote the release of my new print. Launch party on the 24th of October (anniversary of Christians death). Doors open at 6.30pm come join us for a small retrospective of Trash and a Dirty Martini or nine! Sales for the print are here Signed edition edition of 40 and here for the cheaper Unsigned edition an edition of 42. Both come with hand silkscreened wallpaper, signed comes in a painted tube. Shop opens online at 14.00 GMT
Details of subsequent colour way launch events in Paris, Palma and Tokyo will be revealed on the night.
So… i said, ” you know i don’t use a computer when i make these gaffa taped objects to the wall. I just print them out 9 times usually in black and white and then cut each colour registering each to the one before it.
Ourtypes said “You should make a film that explains that”
So this is first solo show in Paris, it was in the mid 80’s i first saw stencil work on the streets, Nemo, Blek le rat and others. These heroes inspired me to take up the scalpel and paint on the street. Paris has always had a rich stencil history, from 1968 till today and it is a great honour to show in this city.
A bit about the show written by the gallery
“Mind in the Gutter” is the name Dotmasters gave this exhibition. It evokes for him dubious intentions, ambiguous actions, all these unsavory and yet jubilant things. Faithful to the vandal and provocative essence of urban art, this title captures the artists’ state of mind, who, jovial and lucid, enjoys taboos, contradictions, new gods and the absurdity of our contemporary lifestyles.
The exhibition offers several levels of reading: one can appreciate it as a pop, offbeat and impertinent visual experience or read in it an ironic critique of today’s society. Dotmasters develops the concept of “high-end waste” with brass sculptures of chanel paper bags. Through this realization, he takes note, reinforces and plays on the ambiguity between marketing and works of art, between single piece and disposable goods, between aesthetic value and commercial production.
Second theme dear to the artist, rebellious and cheeky cherubim populate the works of Dotmasters. Made from photographs of her nieces, nephews and friends, these stencils bring a mischievous and indocent hue to the exhibition. The turbulent and transgressive little angels who speak out or show their fingers to the spectator remind us of the joy that arises from disorder, the creativity generated by chaos and especially the importance of not being earnest.
GCA Gallery PARIS – 2 place Farhat Hached – 75013 – Paris du mardi au samedi de 11h30 à 18h30 Tél : +33 6 09 07 75 99
When we found out there was no Glastonbury 2018 we decided to take the Unfairground on tour. Having presented some of the sideshows in the Palace of Wonder (the late night spot at Fuji Rock) in 2012, when Glastonbury last rested the land, It seemed only natural to take the whole motley crew off to Naeba for 2018’s 20th anniversary of Fuji rock !
For our Japanese trip we recruited Unfairground favourites Ben Eine and Inkie on painting duties as well as Local legend Masagon and Myself. We packed Sam Haggerty’s sculptures into a shipping container or two and sent them off to Japan in May.
Pryratrix Circus Joined us to help entertain the crowds, with Born on road, Jagz Kooner and Jack from Children of acid providing the tunes for the weekend. In all a Uncrew of 50 headed off for the mountains of Naeba, taking a slice of site life to fields of Fuji rock.
Ben Eine mixes it up
Masagon went Dotty
And Dotty went freehand.
With the hottest weather on record, the Unfairground crew melted across the old Orange court. Thankfully The Typhoon that hit us Saturday night didn’t cause too much damage. We’d like to Thank Naeba and Yuzawa councils for inviting us, Smash go round for making it all happen and Bryan burton lewis for being so special. Thanks to all who came, threw some shapes and tagged us in those million photos that got taken! Thanks Guys it was real!
Noticed the other day that there hasn’t been a post up here since new years! Well i’ve been busy painting around the place. Below are some high lights from the first 3 months of 2018, Liverpool, London and Laos…All the L’s
Nice to be painting in Portobello again, on the left you can see graffik Gallery’s indigo get up.
It’s not often i get given a wall to trash. I love painting these groups of bags, but the content is often a hard sell. Very few wall owners want a permanent reminder of the weeks refuse painted on their wall, so a massive thank you to the Kacper Deli and the very patient Penge Barbers for letting me drop a special Penge pile Halfway up their High St. Walls and support as ever from @ldncallingblog
When snow blasted London in early March, a group of about 160 homeless people moved into the disused 17.5 million pound ($24 million) eight-storey building in Great Portland Street, making it the biggest single shelter in the capital.
The occupation – due to end on Monday with a court ordering their eviction – has sparked a citywide debate involving London Mayor Sadiq Khan about the treatment of growing numbers of homeless people.
Sleeping on the streets – or rough sleeping – has risen in England for seven consecutive years, according to government figures, with more than 1,000 homeless in London and more than 4,100 nationally, a 134 percent jump since 2010..
The building developers started to board the windows on the bottom floor after complaints from tenants, effectively blacking out the communal kitchen, with evection looming i was asked to draw some attention to their plight.
Crazy weekend…yep i did say weekend to Laos! Birthday madness in Luang Prabang with Nam Khan Projects.
January visits up north with one man arts. Lots of fun dropping the kids around liverpool
Ahhh, Glastonbury, It’;s a double edged sword. An obstacle course through a chaotic fairground. Due to the Cannes lions gig appearing in the middle of my usual build, work started early in June, dragging the sideshows out, fixing trailers, building 28 foot mouths the usual thing for a uncrew carnie . Each year we ask a new artist to paint the hoardings in the unfairground. I’ve know Inkie for many years and thought his style would give a post victorian edge to our twisted fairground setting.
This year i brought a new sideshow, Small fortunes, Dystopian futures that favour the unfair! Cross there palms in silver and delve into the future from our resident fortune tellers the Queens of the Underworld and Ted’s Walker. We had queues of the curious leaving satified if not perplexed.
We had a cracking year, with the misery of the previous years festival forgotten. No one can remember a hotter build, a fuller or friendlier festival. We had a Cracker!
Usual thanks to all the Uncrew! The folly family, our incredible production staff, everyone on the bars back stage and back! Jagz kooner, Bez, Scouse and fatty for the battle bus stage. OIf course for Sam Haggerty making it all happen in the first place and all those who came, watched the freak shows, danced and drank the night away or those that lost their shirts on the sideshows.
It was a cracking year, always a little Unfair but a bloody good laugh