Ahhh, Glastonbury, It’;s a double edged sword. An obstacle course through a chaotic fairground. Due to the Cannes lions gig appearing in the middle of my usual build, work started early in June, dragging the sideshows out, fixing trailers, building 28 foot mouths the usual thing for a uncrew carnie . Each year we ask a new artist to paint the hoardings in the unfairground. I’ve know Inkie for many years and thought his style would give a post victorian edge to our twisted fairground setting.
This year i brought a new sideshow, Small fortunes, Dystopian futures that favour the unfair! Cross there palms in silver and delve into the future from our resident fortune tellers the Queens of the Underworld and Ted’s Walker. We had queues of the curious leaving satified if not perplexed.
We had a cracking year, with the misery of the previous years festival forgotten. No one can remember a hotter build, a fuller or friendlier festival. We had a Cracker!
Usual thanks to all the Uncrew! The folly family, our incredible production staff, everyone on the bars back stage and back! Jagz kooner, Bez, Scouse and fatty for the battle bus stage. OIf course for Sam Haggerty making it all happen in the first place and all those who came, watched the freak shows, danced and drank the night away or those that lost their shirts on the sideshows.
It was a cracking year, always a little Unfair but a bloody good laugh
Didn’t really know too much about this festival before i was asked to decorate a sea front house for this advertising award brouhaha. Cannes, the perpetual summer luxury conference center location, hosts the major media bands for the Cannes Lions Awards. The beachfront is turned into a media playground with bands, brands and sands. There is not a dry throat in the house.
June is always Glastonbury and the unfairground and leaving site, from a ratty trailer to a rosé fuelled piss up on a beach was quite bloody culture shock..paint in the sun all week.then fly back to return on the Friday of the festival, back to the unfairground family of freaks, but more of that later…
It was a funny week, a dream like break from the shouty field on worthy farm. I met a lot of people, thanks to Rita ora, Halle berry and Hannah Bronfman for being such good sports and showing me how a selfie works.
Been involved in a great new space and its premier show. London wall street is a show curated by The Krah hosted at the Artcore’s new Crows nest gallery in Crowthorne road W10 6RP (nearest stop Latimer Road) London. It’s a really great show with old and new faces. Spent the week before the show painting up the front of the space, that can be seen from the West way flyover on your way in to london on the A40 (pics to follow)
There are several events happening over the coming weeks, with a load of bands on the 9th friday night, including Ruby Throat and Donut. With Pyratrix cabaret on the saturday the 10th of October. Entertainment till late with a bar as well as entrace to the art show.
It’s been a long association with the Buzzers, The Dotmasters and the C6 disaster unit provided the visuals for their 30th tour around the UK. Touring with a band is one of the best reasons for traveling around the country and hitting walls late at night we’ve ever found. This is the second album cover i’ve done, having already supplied the artwork for 30th’s tours subsequent Live album. It’s the Buzzcocks first full release on LP, CD, Download since 2006’s ‘Flat pack Philosophy’. The Album was funded by pledges online and show that the buzzcocks still have their finger on the pulse as far as new tech methods are concerned (I remember Pete Shelley’s ‘Telephone operator’ in 1983 working as a 8 bit video on the ZX Spectrum). I look forward to getting my hands on a vinyl copy available here. A big thanks to Joe Giacomet for doing all the photography and layout.
I’m working on a silkscreen print at the moment of the cover, hand pulled in a few colour ways that i will release details of through this blog later in the month….so stay tuned.
I had Ian Cox pop down to the studio recently, it’s always nice hanging out with Ian, we’ve been working on things together since the early days of Nuart. It’s a busy time in the studio right now with 3 sets of work going to shows in LA, Miami and the stroke art fair in Munich. Ian caught some great construction shots as the afternoon wore on.
Family and friends are putting together a new festival venue down in the docklands that you will hear more and more about during the coming months. They start with a free party that is set to rock! See you there!
A great night out at Chrome & Blacks 3rd birthday last night, a motley crew assembled, fore warned that although paint had brought them together, this was not the time and place. A load of familiar faces, even if no one knew eachothers real names. After a raffle and some impromptu break dancing (jeez i haven’t seen anyone pull those moves on a night out for a decade) It was off to the shop for a lock in surrounded by paint and fragrant smoke. Well done Lads! Bloody great night from Londons premier Art suppliers….ahem.
Never seen the complete Belton range without gaps in the racks….beautiful !
Been waiting for this to come out since last summer’s Nuart. One of my favourite pieces from last year’s festival. What didn’t make the cut was the frantic 2 hours were Hera was caught at the top of a very broken down cherry picker, while an international crew (an Irish man, a English man, a Canadian and an East German….i know it sounds like the start of a playground joke) tried to follow the Norweigian instructions to rescue her. Of course filmed by the amazing Saft films.
Sickboy and I hit up a mates flat in central London a couple of weeks ago. Sickie was filming a short film to promote his show in San fran this week at white walls . Nice vid, although there is a blink and you will miss it shot of me painting a wall in the front room. I bet the shows a corker, if your in town post a dream or two in the post boxes he’s dropping round town, or drop by the show bound to be a crazy mix of installation and great paintings.